Henry

I think I may have been about three when Henry came to stay. Only I could see Henry; only I could know how naughty he was; only I could hear his laughter when he had wild fun and things flew around the room. I think it was winter when Henry first came. He was somewhere in the shadows of the play room, in the gathering half light before my mother lit the lamps. We had lamps, paraffin lamps, not electricity. They sputtered and smelt. Their light threw shadows, big shadows, across the rooms. There would be only one in a room, standing on a table. My mother would pick it up and carry it with us when it was time for me to go up to bed. Paraffin lamps light rooms softly and leave dark shadow filled corners, places where the imagination could lurk and things could be half seen. 

 

The play room was at the back of the house, off the great hall where the big inglenook fireplace was; the very fireplace in which I had stood the day the sky fell down – but that is another story. The play room had a fireplace too, one with a big fire-guard that was at least as high as I was – well, almost as high. It had a wide shiny brass rim at the top that my mother used to make gleam until it glowed in the fire light. I could see over that rim, see the flames of the fire reflected in its shiny top. I could stand on my tiptoes and, if I tried hard, I could throw things into the fire and watch as the flames licked them, wrapped round them, and then danced with delight as they ate them. 

 

It was fun when Henry came out of the shadows behind the big chair, out from the dark corner where he hid when anyone else was around, out and started passing things to me to throw into the fire. First one thing, then two. Flump, they would land in the fire. Sputter, flicker, foosh would go the flames as they grew around them and danced higher making the shadows frolic and flicker in the room. 

 

Henry was such a naughty boy. 

 

Henry liked teasing the terrier. Henry liked waving the ends of my sleeves in front of the terrier’s face. Henry kept doing this even when I knew the terrier would get cross and would bite the sleeve and go growly, growly, tug, tug until the threads of my jumper unwound and would hang all ragged down. 

Naughty Henry.

Naughty Henry would make me do this even when I knew the terrier would bite my fingers and hang on to them and make me cry. The excitement was worth it. It hurt. The pain seared. The pain was almost crazy fun, but it hurt too much, so much I had to do it again.

My mother told me how cruel it was to tease the poor dog like that. She told me not to make him cross. She told me not to make him bite my sleeve. She told me not to make him hang on to it until it unravelled, not to make him pull the thread after him as he dashed under the chair whilst Henry and I danced and laughed. I told her the truth. It was Henry who had waggled the sleeve in front of the terrier. It was Henry who had danced and skipped and pulled ever so hard as the dog shook and shook the end of the sleeve until the threads pulled out and it unravelled. 

Naughty Henry.

Mother did not find out about Henry giving me things to throw into the fire. Not then. I did not want Henry to get into trouble.

In the corner of the play room furthest from the fire, the corner opposite the door, there was a big toy garage where all of my brother’s toy cars were kept. It had an upstairs and a downstairs, big opening doors, and a ramp down which the cars would whoosh if you pushed them. But the real secret was their rubber tyres. If you picked the toy cars up and put them next to your face, you could get your teeth around the tyres, and, with a big bite and pull, you could get them to come off. They did go whoof and make big flames when you threw them into the fire. 

Naughty Henry. 

 

One day my mother sat me down and made me listen very carefully to her. She told me that the fire was very dangerous and that I must never, never throw things into it. I looked at her and I told her “Don't me cross mumma - I just be good”. 

 

I was. 

 

Henry wasn't. 

 

Naughty Henry.

When we were alone in the play room, when my mother had to leave us in the warm when it was getting dark because she had to go and feed the chickens, and the ducks, and the guinea fowl, and the white pheasants, and the geese and the pigs and she would not be long, but it was too cold and wet for me to be out, so I must promise to be good. 

 

I did promise, I really did.

 

Henry, naughty Henry, did not. 

 

He hid behind the big leather chair and he peeped out. Mother did not see him. She did not know he was there - he was so hidden in the shadows. When we were alone, that is when Henry came out from behind the big leather chair, the one with big lion's paw feet, the chair the terrier would hide under when Henry gave me toy cars to throw at him.

Henry made me pull the cat's tail. The cat had only three legs. One of his rear legs had been cut off by the gang-mower as it mowed between the trees. The men had come running into the house holding the poor cat with its leg hanging off. They were so sorry. My mother had grabbed me and had got Mr Fox to drive us to the vet's where the vet had cut off the leg to save the cat. The cat, Ginger, was cousin Ann's cat and my mother did not want Ann to come home from work and find her cat was dead, so she brought the poor bandaged thing home. It lived for many years after, happily stumping around on three legs and still laying waste to all the mice, rats and rabbits it could find. When Henry made me pull the ginger cat's tail it swung its front paw around so fast that its claw tore my arm and there were long bleeding scratches all across the back of my hand. Henry thought that was fun. He made me rub the blood on to the wall. Then he made me find my bothers wax crayons and scribble all through the blood and on over the wall to make scribble birds. 

 

I sat and watched them fly.

Naughty Henry. 

 

Henry thought it was such good fun when my brother’s toy cars went flying around the room. My brother got cross because they had missing tyres. I never told him what Henry had made me do with them. 

 

Henry was barefoot. Henry dressed in rags. Henry was a wild boy and Henry lived in the stinging nettles at the bottom of the larch wood. He was lonely and cold there, and he was afraid of the wolves that came at night. That is why he sneaked into the house and came and played with me - it was warm and we had fun. 

 

One day, when I had told my mother that Henry had made me throw things all over the room again - naughty Henry - she decided to go and find him. I told her where he lived and what he looked like. She got us ready to go out for a walk. I had my red Wellington boots on, the one that would get stuck in the mud and come off, making me fall over and get covered in the sticky mud. It must have been in the late spring because the stinging nettles had grown back. 

 

My mother walked me all the way down the hill to the bottom of the drive where the larch wood was. It was in the stinging nettles at its edge that Henry lived. It was in between the dark trees that the wolves would come peeping out, so softly tiptoeing on the spongy floor where the needles fell. In places the fallen cones stuck out. I was scared of the dark of the wood. I was scared of the wolves that might come out. Mother kept walking further and further in and calling “Henry” “Come out Henry”. I knew the wolves would hear her. I knew they would come sniffing with their ears pricked up. I knew their sharp eyes would come watching. I knew mother was not safe. I knew I had to get her out of the wood, so I told her a lie. I told her Henry had gone. He had run off with the gypsies. We went home and had tea. 

 

Funnily, Henry really had gone. He was not hiding in the shadows behind the big leather chair with the lion's paw shaped feet. He was not waiting for me in the attic. He was not under my cot. He was not in any of the cupboards. He was not hiding in the larder. He was not hiding in the doughskiels* along with my toys. He had gone. I hope he liked his life with the gypsies. 

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*For those who do not know, doughskiels – that is the name my mother used for them – were four legged chests used in old farms in the Marcher Country for bread making. The dough was kneaded on the top and then placed inside the chest with the lid down so that it might rise overnight ready for baking in the morning. My mother had found one at an auction. It was made of elm. It had bits of old dried dough sticking to its insides. She polished up the outside and then we used it to keep toys in.

Two True Stories

Sometimes you hear stories of those years of war that scared the first half of the twentieth century that you cannot let pass because they stick with you, they say too much, paint too strong a picture. In this last year I have heard two such stories, one from the Ukraine, one from China.

First a story from the Ukraine. This was told by a lecturer at the university in L’viv who had been a little more than a child herself at the time of the German occupation. She included this in one of the lectures she gave.

After the first shock wave of the German conquest the two sides, the occupiers and their subjected peoples, had to set about living together. The occupiers gave themselves full licence to demonstrate their superiority in all sorts of ways, in this case over the two carriage trams that ran in the city. The Ukrainians had to travel in the rear carriage of the trams leaving the front carriage for Germans. Perhaps there might be only one or two Germans in the front - the rear one would be crammed to overflowing. Sometimes one of the Germans might call a child forward into the front to come and sit with them as a treat. If you were called you dare not refuse but went and sat dutifully as you were told. No one dared to interfere.

Neither did people dare to be in the front carriages even if they were completely empty, even if there were no signs of any Germans being about - it was just never safe.

Such a simple story, but one telling so much about power and fear, about oppression and the oppressed, about division and separation. One no doubt duplicated in a thousand subtle ways across the world - in segregated America, in racially divided South Africa, or by division of wealth and class in Britain, or by caste as in India - repeated in so many place, in so many ways. in so many times.

The second story is from China, from Shanghai just at the point when it had been occupied by the Japanese in November 1937. Many, if not most, of the Europeans left the city on whatever ships they could find as soon as the fighting subsided . My friends mother was working as a governess to one such European family. She had done well for a village girl from the South to have a job like that. For whatever reason the family decided to take her with them when they left. Who knows, perhaps the children she cared for were too attached to her to make leaving her easy? Getting her out through the Japanese check points would be a very risky thing to do. Europeans were given passes so that they could go to the harbour and board whatever ships they could find passage on. Chinese were forbidden. The Japanese expected absolute obedience. If they even considered that a Chinese had not bowed quickly enough or low enough they were executed there and then.

The family put my friend’s mother into the middle between them all and there she sat petrified in case she was spotted. For trying to escape the city she would have been beheaded immediately. Somehow, and my friend has no idea how, the family were not challenged at the check points. At each one their papers were meticulously inspected, but other than a cursory glance, no check was made on exactly who was in the car. They were crowded and perhaps a small Chinese woman somewhere in the middle of many faces was simply not noticed.

They left on the last boat out of the harbour.

Nothing

“Nothing – for the person who has everything” it proudly announced “The gift of nothing is yours to discover...” it added.
“Congratulations! You have received the gift of nothing. Absolutely nothing. This is the ultimate in minimalism. Less is more, more is less”
“Nothing is precious. Nothing is simple. Nothing is sacred.
“Open the pack and be enthralled when nothing happens. Allow nothing to flow through your mind and calm your soul. Savour the moment. Soon you will discover that nothing is so much better than something.”
“Instructions: step 1: Carefully open the pack.Step 2: Experience nothing.”
“Contents: The sound of one hand clapping: the hole in the doughnut; the thing that goes bump in the night; the sound of a tree falling in the forest when no one is there to hear; the incident that no-one talks about; the bashful achievement.”
“Warranty: This product is guaranteed to do absolutely nothing. If something happens return for a full refund.”
“Warning: Nothing ventured nothing gained. If any of this is swallowed, please consult a psychiatrist immediately.” 
Nothing? Rather a lot of something with a conveniently shaped hole at the top for its packaging to slide onto display in some trying-hard to be upbeat “retails outlet” (as shops now have to be called).

Nothing? Something given by someone who cares, or cares at least enough to spend some time and money purchasing and sending this item of amusement.

Nothing? The concept child of a designer, or worse, a “creative team”, whose livelihoods rests on generating such off-the-shelf send-in-the-post give-as-an-“ungift” amusements that function as tokens in the games of social-bonding that we play.

Nothing? A vehicle for cultural references and a play of ideas that may, for a moment, amuse; a product of a civilisation and of the cross-fertilisation of civilisations.

Nothing? A commodification of social desires and cultural meanings packaged and delivered as part of the functioning of the wealth creating economic machines that deliver profits and drive up share-holder value.

Nothing? The yield of years of education and leaning on the part of those who conceived it, who designed and created it, who engineered and marketed it.

Nothing? The result of investment and financing, of banks and investors, of insurance and underwriters, of cash-flows and reporting, of contracts and logistics, of orders and deliveries, of fixed capital and working capital, of loans and overdrafts, of statements and invoices, of debits and credits, and all of the management and accounting that goes into the getting it there in stock and ready for the consumer to buy so that it might be sent and received, and perhaps enjoyed.

Nothing? The result of all of the physical work it took to shape and form it, to pack and transport it, to order and display it, and ultimately to post and receive it.

Nothing? Something that could not have been conceived, or even technically made, at almost any-time in history until the last half century; and which would have been meaningless to most humans that have ever lived; its meaning lying not in what it is, but in the few lines of words printed on its packaging – this nothing that is not nothing to those who can read its legend.

Nothing? A dome shaped blister pack with air in - air that was trapped when the blister was formed in what-ever strip-light lit factory in who knows where that exists for the purpose of making blister packs; air that was thus enclosed by the button pressing supervision of a shift worker whose economic contribution to the human population of this planet was to spend time pressing the buttons that ran the machine that formed the blister.

Nothing? A blister formed of clear plastic extruded to conform to the designed shape; plastic that was itself a product of chemical engineering that started with oil as a raw material; oil that had lain for more millions of years than you can think of deep under the ground in a far off county; oil that was piped, shipped, refined and then transformed into the shape it now has – a blister pack containing a space with air inside.

Nothing? The resultant of all of the energy expended and carbon-dioxide generated in creating the materials from which it is made, in forming it, in packing and shipping it, in transporting it to and collecting it from the shop where it was purchased, in wrapping and posting it, in delivering it; and in part in all of the energy expended and carbon-dioxide generated in creating and maintaining all of those systems that enabled that to happen.

Nothing? A non-biodegradable product that will last far longer than either the person who sent it or the person who received it, or perhaps even longer than the species to which they belong: an unintelligible enigma to whatever or whoever may come after.

Some nothing.

Where Borders are Real Borders

Where borders are real borders, borders that remember that they are there to control people, to prevent people, to dominate and diminish them. “The state”, the border says, “is all. You are nothing”.  The suspicion is all enveloping. “You are but a supplicant who may, if we feel inclined - may, let me stress - may, with our permission, be allowed to pass – but it is doubtful, very doubtful”. 

There is a knowing with absolute clarity that you are unfit, untrustworthy, suspect, someone who should not be tolerated. You are a danger. Your very presence will contaminate, will corrupt. You should be barred, turned back, driven off. You are like an unwanted virus, a contaminant, a disease. The border is here to prevent such infections spreading.

It is dark, night, a chill has settled and this is my first experience of the border. The bus slows. There is a jolt where the smooth road surface ends and the concrete blocking starts. The bus makes a right angle turn and then another. The first stop light and the wire towers over, looming in the glow of the arc lights.  Everything is seen in stark contrast. The glare of lights or deep shadow. Colours are drained as if they are illegal migrants. This is a place of wire, concrete, dark and suspicions. 

A long wait and then a green light. The bus bumps forwards, following the right angle turns in the road. No chance for speed or for turning back. The road is only just the width of the vehicle. The wire has it trapped. And when the wire passes the dark spaces of grit and gravel that fill between - barren places that plants dare not grow in. This is not a place of one, but of many fences. The bus halts in a queue. Long times elapse. There is a silence that is not friendly - it is the middle of the night and no-one on the bus wants to talk in this place. We are awake because we know that it is the border; that we have to be awake; that not to be awake is to commit an offence. 

After a while of edging forward one vehicle’s length at a time, followed by a long wait after each move, the bus finally reaches the next fence and its control post where another red light holds us until we are allowed to pass into the next compound. Eventually the light changes and we bump and jolt across that space towards a distant yawning shed. We get nearer and it grows larger, its harshly lit interior a chasm opening between concrete buildings. The bus slowly makes a last sharp turn and lines up with the entrance. It stops and waits once more. 

It is signalled forward and comes to a halt inside the shed. The driver opens the doors and sits and waits. He and the other crew know that that is all they can do. The border guard will come when they are ready. When they choose. If they choose. May be now. May be in an hour. Whenever. You know the bus is being watched, carefully watched. The bus is not to be trusted. We are warned to have our passports ready. 

A guard enters the bus. Takes each passport in turn, looking long and hard at each and then at its owner. There is not a flicker on his face. The passport is then added to the growing stack that he holds, open at the photo page. Not a word is spoken. We all know our parts. Sit very still. Do not talk. Look past, not at, the guard. There will be no questions here. They may come later. 

Eventually all of the passports are collected. The guard gets off the bus taking one of the crew with him - the one to be held responsible. The waiting begins again. The time is slow. It is ponderous. It knows not to take risks.

Eventually the driver returns. He looks heavy with worry. He hands back each passport to its owner and returns to the front, attentive, waiting for the next instruction. 

The bus moves forward once more, out of the shed into another darker wasteland  between more fences. Stops. Moves. Stops again. We wait. Another shed. More bleak buildings ahead of us. Once more we are summoned forward. The bus stops in the lane it has been directed to. The same sinister ballet is taking place in the parallel lanes under the arching roof of the border control shed – the stopping, the waiting, the silence. The driver gets off and opens the hatches under the bus where all the baggage is. In other lanes vehicles stand with all their doors and hatches open; stand waiting as if in some strange ballet of exposure. 

The driver return to the bus and signals to us that we must all get off. We are told to get our bags from the hold and take them to the benches that line the side of the lane. We obey. We lift out bags on to the long benches and stand behind them, waiting. It is getting cold and a steady wind is blowing chill through the shed. Nothing happens. No voices are heard. No one moves more than just to shuffle in a effort to keep warm and to keep awake. Time feels manacled. It dare not protest by moving forward. 

A guard appears and points at the bags. We are to understand that they should be open. He goes away. A delay for our impudence at not having the bags open ready? The night cold begins to get past our clothing. We wait.

The guard returns and looks into each bag. Not at us. He has a pen with which he occasionally pokes at something, or uses to hold the bags more open. He goes away. Nothing happens. Nothing happens for quite some time. Another guard climbs on to the bus. He has a torch and a dog. He takes quite a while.

The building in front of us has big halls with benches and tables under cold lights. You are aware of places where questions are asked. Questions that are asked very slowly. Questions the answers to which could lead you to smaller rooms where even more questions are asked - to rooms with bare lights and hard chairs. Rooms which are there to protect that which lies beyond. Rooms from which some people do not return. Rooms where the state sanitises itself of those of whom it does not approve: entrances to years of questions and cells. 

We are told to get back on the bus. We do up our bags and carry them to the hold. We climb back on. We sit and wait, not quite daring to rest or relax. The driver does not start the engine. We sit and wait. It is the middle of the night but no-one risks sleep. The engine starts. We lurch forward bumping our way across more concrete blocks, following the roadway between yet more fences, round more sharp twists and chicanes, the customs shed receding behind us diminishing into remoteness, a place of bright light in a growing gloom of half lit roadways and fences. 

Once more the bus stops at a red light. The final guard post in the last line of wire. The light changes and we bump through and onto a normal road. The night embraces us as we slide away from our place of trial and suspicion, many hours after first having entered it.  

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The Ukrainian Polish boarder, autumn 2011; echoes of the Soviet era and mindset still strongly present. The guard that know their importance and their power. Their boots still shine.